Latest Tutorials
Tutorial | Instructor | Date Updated | Runtime | Views | Relevance |
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Siggraph Rewind 2012 - Chimaeric’s Josh Johnson: VFX Breakdown
R14 VFX Breakdown Josh Johnson, VP of Visual Effects at Chaemric, gives a presentation on the VFX tools in R14 |
Cineversity | Aug 08 2012 | 43:20 | 5803 | |
Siggraph 2012 Rewind - Matthias Zabiegly: RedBull, ropes, texture management, & inflating letters
Matthias Zabiegly of Aixsponza presents at Siggraph on August 8, 2012 See how CINEMA 4D’s powerful and intuitive rigging, character animation, matte painting and compositing tools enabled Aixsponza to rapidly create a thrilling animation for RedBull. Discover a technique for simulating ropes with CINEMA 4D’s dynamics, and explore a project that utilized dynamics in conjunction with sculpting to create detailed lettering. Finally, see AixSponza’s powerful Texture Manager plugin. Find Aixsponza online at aixsponza.com |
Cineversity | Aug 08 2012 | 49:17 | 9932 | |
Siggraph Rewind 2012 - Ash Thorp: Conception to delivery of blockbuster animations
Conception to Delivery of Blockbuster Animations with Ash Thorp Ash Thorp, Freelance Art Director/Designer/Illustrator, shows you Conception to delivery of blockbuster animations using CINEMA 4D |
Cineversity | Aug 08 2012 | 40:59 | 14868 | |
Siggraph Rewind 2012 - Hackeyesup Inc’s Casey Hupke: Jaw-Dropping VFX with Thinking Particles
Create Jaw-Dropping VFX with Thinking Particles with Casey Hupke Casey Hupke, Owner, Founder, Freelance CG Lead, Creative Problem Solver at Hackeyesup, Inc. shows how to create jaw-dropping VFX with Thinking Particles |
Cineversity | Aug 08 2012 | 48:10 | 31587 | |
Siggraph Rewind 2012 - Gabriel Smetzer: Character animation and interactive storytelling
Character Animation and Interactive Storytelling with Gabriel Smetzer At SIGGRAPH 2012, 3D Technical Director, Gabriel Smetzer demonstrates how character animation and interactive storytelling with CINEMA 4D |
Cineversity | Aug 08 2012 | 47:54 | 7565 | |
Siggraph Rewind 2012 - Dr. Sassi: NUKE integration and matte painting pipeline
R14 NUKE Integration and Matte Pipeline with Dr. Sassi At SIGGRAPH 2012, Dr. Sassi, Animator and Instructor at Cineversity, presents R14 NUKE Integration and Matte Pipeline |
Cineversity | Aug 08 2012 | 58:20 | 7945 | |
Siggraph Rewind 2012 - Eric Demeusy: Blockbuster VFX on an indie budget
Indie Budget, Blockbuster VFX with Eric Demeusy Eric Demeusy, Director at Demeusy Pictures & Freelance Animator, shows at SIGGRAPH 2012 how to perform Indie budget, blockbuster VFX with CINEMA 4D |
Cineversity | Aug 08 2012 | 52:39 | 4582 | |
Siggraph Rewind 2012 - Aixsponza’s Manuel Merkle: Xpresso techniques for animation
XPresso Techniques for Animation with Manuel Merkle Manuel Casasola Merkle, Founder & Managing Director of Aixsponza, presents XPresso Techniques for Animation |
Cineversity | Aug 08 2012 | 42:15 | 8725 | |
Siggraph Rewind 2012 - Video Copilot’s Andrew Kramer: Adding a whole new dimension to After Effects
Adding a Whole New Dimension to After Effects with Andrew Kramer Siggraph 2012 presentation with Andrew Kramer, President of Video Copilot, on adding a whole new dimension to After Effects using CINEMA 4D |
Cineversity | Aug 08 2012 | 49:17 | 11336 | |
Siggraph 2012 Rewind - Nick Campbell: Creating dazzling motion graphics & effects on the fly
Nick Campbell of GreyscaleGorilla.com presents at Siggraph on August 7, 2012 Nick Campbell demonstrates the incredible ease with which CINEMA 4D sparks creativity and enables artists to create dazzling motion graphics and effects on-the-fly. In this presentation, Nick shows how to create a stringy text effect, a dynamic bowling simulation, and a monochromatic/colorized effect using CINEMA 4D. Nick also demonstrates Transform, a new plugin coming soon for CINEMA 4D from Greyscalegorilla.com Find Nick online at greyscalegorilla.com |
Cineversity | Aug 07 2012 | 49:17 | 13384 | |
New in CINEMA 4D R14: Camera Enhancements
New Camera Enhancements The Motion Camera tag, Morph Camera tag and Composition Helpers combine to form a powerful toolset for creating impactful and dynamic imagery. Visualizing architectural or mechanical creations and generating dynamic camera moves for motion graphics is easier than ever before. |
Cineversity | Aug 01 2012 | 04:14 | 15116 | |
New in CINEMA 4D R14: Interface & Workflow Enhancements
New Workflow and Interface Enhancements for R14 CINEMA 4D Release 14 offers numerous workflow and interface enhancements to help you work faster and smarter. While these sometimes seem to be small changes, they combine to save you time and frustration, speeding up your individual workflow as well as your workgroup pipeline. |
Cineversity | Aug 01 2012 | 03:12 | 29641 | |
New in CINEMA 4D R14: Dynamics Enhancements
New in CINEMA 4D R14: Dynamics Enhancements CINEMA 4D R14 now includes aerodynamic properties, plastic deformations with softbodies, and breakable/plastic connectors. This allows you to push your dynamic simulations to the next level. |
Cineversity | Aug 01 2012 | 03:34 | 16666 | |
New in CINEMA 4D R14: Xpresso Enhancements
New in CINEMA 4D R14: Xpresso Enhancements CINEMA 4D’s node based expression editor has gotten a makeover in Release 14, but the enhancements aren’t merely skin deep. The first thing you’ll notice is the antialiased lines, nicely rounded nodes and curved connections between ports, but as you dig deeper you’ll find a few substantial changes to improve the your workflow, capabilities and performance when creating expressions. |
Cineversity | Aug 01 2012 | 01:39 | 8271 | |
New in CINEMA 4D R14: Picture Viewer, Post Effects and NUKE Integration
New in CINEMA 4D R14: Picture Viewer, Post Effects and NUKE Integration When you click the Render button, the work has only just begun. That’s why CINEMA 4D Release 14 includes enhancements to the Picture Viewer and Multipass Rendering, plus cutting-edge integration with NUKE. |
Cineversity | Aug 01 2012 | 02:20 | 23610 | |
New in CINEMA 4D R14: Adobe Photoshop Integration
New in CINEMA 4D R14: Adobe Photoshop Integration Open and manipulate your CINEMA 4D scenes directly within Adobe Photoshop Extended, and adjust the texturing, lighting and viewpoint to perfectly fit your concept and composition. CINEMA 4D has always offered outstanding integration with Adobe applications, from importing Illustrator and layered Photoshop files to its breakthrough integration with Adobe After Effects. Now these close ties get one step closer with a Photoshop plugin that directly imports c4d files into a 3D layer within Photoshop. |
Cineversity | Aug 01 2012 | 02:13 | 31539 | |
New in CINEMA 4D R14 Snapping and Workplane Enhancements
See the new snapping, workplane and guide tools in CINEMA 4D R14 The new Workplane, Guides and Snapping options offer a powerful unified workflow for accurately aligning all your elements and mastering your technical modeling tasks. |
Cineversity | Aug 01 2012 | 03:08 | 19094 | |
New in CINEMA 4D R14: Camera Calibrator
See the new Camera Calibrator in CINEMA 4D R14 Eliminate the tedious trial-and-error of manually matching images to your 3D environment with the new Camera Calibrator in CINEMA 4D Release 14 Visualize and Studio. |
Cineversity | Aug 01 2012 | 01:51 | 20927 | |
New in CINEMA 4D R14: Rendering Enhancements
New in CINEMA 4D R14: Rendering Enhancements Attain stellar rendering results with new shaders and global illumination enhancements in CINEMA 4D Release 14. New shaders allow you to simulate wood, weathering effects and normal maps, while the addition of unified sampling and radiosity maps allow for faster, more accurate global illumination rendering. |
Cineversity | Aug 01 2012 | 03:14 | 16978 | |
New in CINEMA 4D R14: Sculpting
New in CINEMA 4D R14: Sculpting CINEMA 4D Studio Release 14 includes a new fully-integrated sculpting system, so you can easily increase the level of detail and realism of any object. |
Cineversity | Aug 01 2012 | 04:09 | 27186 | |
JET Making Of, Part 38: Kitchen Reflection
Extra: Kitchen Reflection In this video, Dr. Sassi details the construction of the environment that he created for the Kitchen shots, this includes a discussion on using camera projected textures to recreate many of the surfaces in the environment. He also talks about the importance of properly measuring the real environment so that it can be accurately recreate in CINEMA 4D and hot it can be reused in multiple shots, regardless of the camera move or lens used. |
Dr. Sassi | Jul 17 2012 | 08:29 | 1016 | |
Render Settings: Anti-aliasing Filters
Learn about what Anti-aliasing filters do for you. In this video you will learn about how filters work in conjunction with the anti-aliasing levels to produce a final value for a given pixel. |
Patrick Goski | Jul 11 2012 | 06:57 | 4968 | |
Adobe Road Show, Part 07: Setting up the Robot Arm - Part 2
Adding a Arm to the Robot Part 2 In this part of the Adobe Road Show series, you will continue working on the robot’s arm.You will start by adding a quick animation to the arm so that it extends from the robot’s body. After you have added the animation you will add a screen to the end of the arm. Once the screen has been added you will then animate the screen scaling to create a smoother transition when the screen pops out. To create some added interest and realism you will also add some lights to the scene to help emphasize the contact shadows on the concrete. |
Josh Johnson | Jul 05 2012 | 16:49 | 3687 | |
Adobe Road Show Part 06: Setting up the Robot Arm
Adding a Arm to the Robot In this part of the Adobe Road Show series, you will create the arm that holds the AE and C4D logos. To do this you will constrain a cylinder object to a part of the character object. Once the cylinder has been constrained you will want to apply a material so that it blends in better with the rest of the robot. |
Josh Johnson | Jul 05 2012 | 08:05 | 2565 | |
Adobe Road Show, Part 05: Adding a C-Motion Robot to the Scene
Importing a C-Motion Animated Model from the Content Browser In this part of the Adobe Road Show series, you add some characters into the scene by utilizing one of the pre-existing C-motion models in the content browser. |
Josh Johnson | Jul 04 2012 | 12:15 | 2554 |