Latest Tutorials
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Introduction to Assets and Databases in Cinema 4D
Learn how to use Assets and Databases in Cinema 4D. In this Quick Tip, Jonas Pilz will give you a quick introduction to Assets and Databases in Cinema 4D. You will learn how to create Assets as well as how to create and mount Databases. Furthermore, you will get an idea of how to organize custom Databases. 00:00 What are Assets? Recorded in Cinema 4D S24 SP1. |
Jonas Pilz | Jul 22 2021 | 07:01 | 86 | |
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How to Record User Interactions with Objects for Animation
Learn how to record user interaction with objects for animation in Cinema 4D. In this Quick Tip, Jonas Pilz (@jonaspilz3d) shows how to record user interaction with objects for animation in Cinema 4D. You will learn about Cappuchino and some of its most important settings as well as how to start realtime recording in the viewport. Furthermore, Jonas will show that it’s also possible to record multiple objects at once. Free assets from the Cinema 4D Asset Browser used in this Quick Tip: Scene 1: Scene 2: Model from TurboSquid.com: Recorded in Cinema 4D S24 SP1. |
Jonas Pilz | Jul 15 2021 | 02:36 | 254 | |
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How to Move, Scale, and Rotate Single Objects in the Scatter Object
Learn how to move, scale and rotate single objects in the Scatter object in Cinema 4D. In this Quick Tip, Jonas Pilz shows the checkbox which needs to be ticked in order to allow you to move, scale and rotate single objects which are part of the Scatter object in Cinema 4D S24. Free assets from the Cinema 4D Asset Browser used in this Quick Tip:
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Jonas Pilz | Jul 08 2021 | 01:03 | 300 | |
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Ask The Trainer: Foliage & trees in C4D and Trapcode
Join the Maxon Training Team every 2nd and 4th Thursday of each month at 8AM Pacific as they spend an hour answering live questions on Cinema 4D, Redshift and Red Giant, and (hopefully!) provide solutions to your creative conundrums. Ask us a question! .(JavaScript must be enabled to view this email address) Special Guest! Seth Worley. Check out some of Seth’s excellent work here: https://www.redgiant.com/films/ 00:00 - intro |
Cineversity | Jul 06 2021 | 68:01 | 321 | |
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Ask The Trainer: C4D Shaders, UVs, Rigging & Cineware
Join the Maxon Training Team every 2nd and 4th Thursday of each month at 8AM PST as they spend an hour answering live questions on Cinema 4D, Redshift and Red Giant, and (hopefully!) provide solutions to your creative conundrums. Topics covered: 00:00 - intro Download project files mentioned in the sessions: http://bit.ly/Ask-The-Trainer-File-Share |
Cineversity | Jul 06 2021 | 68:01 | 230 | |
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Designing FUI Graphics Part 4: Tracking & Integrating FUI
Tracking and Compositing FUI into Shots Project file downloads: http://bit.ly/FUIProject-Files 51:43 Setting up our Motion Tracker and adding our Footage |
Elly Wade | Jul 06 2021 | 80:39 | 182 | |
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Demystifying Post production - Designing 3D - Lighting & Rendering
Demystifying Post production - Designing 3D - Lighting & Rendering Elly and Matt take a look at how to create an exploding animation within the C4D Raygun project and then how to render it out in Cinema4D by setting up output paths, and how to adjust the quality of the final render. Cinema 4D Raygun Explode Project: https://bit.ly/Raygun-Explode-Project Demystifying Post-Production is a weekly series of interactive webinars, featuring industry experts, covering essential concepts and techniques for post-production, hosted by our Director of Training Simon Walker, CSI. We encourage interaction in these sessions - so please feel free to ask questions! |
Elly Wade | Jul 06 2021 | 65:39 | 202 | |
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Red Giant: Short Cuts | How To Make Your Footage Look Cinematic (Premiere Pro CC Tutorial)
In this video, Kelsey shows you how you can quickly make your videos or vlogs look cinematic using Red Giant Magic Bullet’s Looks and Colorista as well as Universe Finisher. Introducing Short Cuts - a new bi-weekly Red Giant video tutorial video series, hosted by Kelsey Brannan, AKA Premiere Gal. In this series, Kelsey shows you how to quickly up your YouTube game with tools and techniques for getting slick results quickly. Whether you’re creating eye-catching titles, designing beautiful logo openers, or building animated end screens, Kelsey will show you how to get it all done fast. |
Red Giant | Jul 02 2021 | 07:39 | 310 | |
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Red Giant: Short Cuts | Logo Openers
In this episode of Short Cuts, Kelsey Brannan (aka Premiere Gal) shows you how to create a quick and stylish logo opener using Red Giant Universe Logo Motion and transitions. Introducing Short Cuts - a new bi-weekly Red Giant video tutorial video series, hosted by Kelsey Brannan, AKA Premiere Gal. In this series, Kelsey shows you how to quickly up your YouTube game with tools and techniques for getting slick results quickly. Whether you’re creating eye-catching titles, designing beautiful logo openers, or building animated end screens, Kelsey will show you how to get it all done fast. |
Red Giant | Jul 02 2021 | 06:41 | 183 | |
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Creative Collaboration in Universe, Part 4
Over five sessions in March we will show how you can use Red Giant Universe to create beautiful graphical magic on the timeline, and share it across multiple hosts, operating systems, and workflows. Joining us are industry experts Jason Hare and Nick Harauz, who together will reveal insider tips for design deliverables from video editors’, mograph artists’ and colorists’ perspectives, how to use Universe as part of a motion graphics artist’s toolkit, as well as techniques for creating and quickly iterating elements for broadcast news and sports as well as for social media platforms. We’ll look at how you can share creative work and designs between Adobe After Effects and Avid Media Composer, as well as creative workflows linking Adobe Premiere Pro and Davinci Resolve, allowing teams to work more efficiently together, and create dazzling visuals in less time. 00:00 - Intro |
Cineversity | Jul 02 2021 | 67:09 | 163 | |
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VFX SUITE 1.5 | What’s new in Supercomp
Supercomp is a compositing environment that makes it easy to create complex, seamless composites. In Supercomp, light and atmospheric effects interact with ALL of your layers and the elements of a scene in a far more natural way and with far less pre-composing than ever before. Supercomp includes more than 15 GPU-accelerated context-aware tools for integrating all of your elements into your final shot. |
Red Giant | Jul 02 2021 | 11:46 | 218 | |
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How to use Quantization in the Color Chooser
Learn how to use quantization in the Color Chooser in Cinema 4D. In this Quick Tip, Jonas Pilz shows how to use quantization in the Color Chooser in Cinema 4D to not only create perfect red, green and blue (RGB), but also cyan, magenta and yellow (CMY). Free assets from the Cinema 4D Asset Browser used in this Quick Tip: Recorded in Cinema 4D S24. |
Jonas Pilz | Jul 01 2021 | 01:35 | 185 | |
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How to Quickly Enable 3D Painting on Objects
Learn how to quickly enable 3D painting on objects in Cinema 4D. In this Quick Tip, Jonas Pilz shows how to quickly enable 3D painting on objects using the Paint Setup Wizard in Cinema 4D. You will also learn how to go through all the steps including a quick way of checking an object’s UVs. Recorded in Cinema 4D S24. |
Jonas Pilz | Jun 24 2021 | 01:28 | 679 | |
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How to use the Maxon App
Maxon Trainer Elly Wade shows how you can get setup with the Maxon App and install Maxon applications. The Maxon App is an all-new desktop application that provides a more intuitive way to install your favorite Maxon apps, update them, manage your licenses and discover new tools to stimulate your creativity and complement your workflow. Redshift support will be added in the near future. Forger and Moves by Maxon continue to be available from the iOS App Store. More information here: https://www.maxon.net/ |
Elly Wade | Jun 23 2021 | 02:24 | 337 | |
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VFX Side Quest | Melting Faces with the Template of Doom
You have chosen wisely. In this VFX Side Quest, it’s time for a face-meltingly cool template from Action Movie Dad, based on the iconic effect from Indiana Jones: Raiders of the Lost Ark. Utilizing Trapcode Particular and Mir, this effect is customizable to your footage, and bloody simple to use. You’ll learn how to recreate this chilling effect plus some amazing bonus tips for Content Aware Fill. Press “Files” to download the project files. Make sure to share your creation with us at @RedGiantNews and @MaxonVFX - we’re excited to see what you liquefy! |
Red Giant | Jun 17 2021 | 10:17 | 657 | |
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How to use Axis Extension in the Move, Rotate, and Scale Tools
Learn how to use Axis Extension in the Move, Rotate and Scale tools in Cinema 4D. In this Quick Tip, Jonas Pilz shows how to activate Axis Extension in the Move, Rotate and Scale tools in Cinema 4D. You will also learn how to use the Axis Extension feature and that it is even working with snapping, which allows you to work more precisely. Recorded in Cinema 4D S24. |
Jonas Pilz | Jun 17 2021 | 04:11 | 264 | |
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How to Enable Gravity in the Dynamic Place Tool
Learn how to enable gravity in the Dynamic Place tool in Cinema 4D. In this Quick Tip, Jonas Pilz shows how to enable gravity in the Dynamic Place tool in Cinema 4D. You will also learn how to cancel the simulation as well as how to use mouse movement as initial velocity in the simulation. Recorded in Cinema 4D S24. |
Jonas Pilz | Jun 10 2021 | 01:55 | 740 | |
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Cigarette Smoke in Trapcode Particular
Sometimes you need some cigarette smoke for your scene, but your actors don’t need cancer - this technique is your healthier alternative! We use the new physics in Trapcode Particular to make realistic, wispy cigarette smoke entirely in After Effects! |
Michael Szalapski | Jun 08 2021 | 02:52 | 643 | |
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How to Reset the Scale Values of Objects
Learn how to reset the scale values of objects in Cinema 4D. In this Quick Tip, Jonas Pilz shows how to reset the scale values of objects in Cinema 4D. You will learn the difference between scaling objects in Model mode compared to scaling objects in Object mode. Furthermore, Jonas shows that downloaded objects can come with scale values other than 1 and how to fix this using the Reset Scale command. Recorded in Cinema 4D S24. |
Jonas Pilz | Jun 03 2021 | 03:06 | 566 | |
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20 Second Quicktip - Security camera treatments using Red Giant Universe effects
Combine scan lines from Universe Holomatrix, time counters from Universe Numbers, and image deterioration from Universe AV Club, to create easy security camera treatments. These Red Giant Universe effects are designed to stack together, and this effect is quick to set up in all the hosts that Universe supports, including After Effects, Premiere, Media Composer and Resolve. Numbers was released in Universe 3.1 September 2019 Download project file: http://bit.ly/Universe-Security-Footage |
Simon Walker | May 28 2021 | 00:20 | 859 | |
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20 Second Quicktip - Rescue noisy shots with denoising & sharpening tools in Magic Bullet Denoiser
When using Denoiser to smooth out artifacts revealed by colour correction, use the built-in Sharpen control to bring even more detail back to the image. Make sure to set Denoiser as the first effect in the stack, to remove noise before the color correction stage, as this will give you better results. |
Simon Walker | May 28 2021 | 00:20 | 276 | |
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20 Second Quicktip - Create Track Mattes using Luster from Red Giant Universe
You can easily create animated track mattes with Luster from Red Giant Universe. Set the Reflection Source layer, drag Reflection Mix to 100, and Reflection Blur to zero. Reduce the intensity of the Highlight setting to further develop the effect. This effect is achievable in multiple hosts, including Premiere Pro, AVID Media Composer and Black Magic Resolve. Download project file: http://bit.ly/Luster-Track-Mattes |
Simon Walker | May 28 2021 | 00:20 | 238 | |
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20 Second Quicktip - Skin tone & color adjustment using HSL controls in Colorista and Magic Bullet
Use the HSL controls in Colorista and Looks to create fast, targeted color changes with clean results. The HSL controls are very useful for matching or controlling dominant colours in shots, and the orange dot accurately targets and controls skin tone colors, making it quick to adjust for changing lighting conditions. HSL controls let you nudge the Hue, Saturation and Lightness of individual colors or ranges of colors. |
Simon Walker | May 28 2021 | 00:20 | 225 | |
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20 Second Quicktip - Creative convincing reflections using Chromatic Displacement and Reflection
Create convincing real-world elements when using the Reflection effect from VFX Suite. Duplicate the source layer, and Set Source Opacity to zero, to isolate the reflection from the source. This enables you to target the reflection independently, in this case using Chromatic Displacement, to create this water ripple effect. Download the project file and take a look. Project File Download: http://bit.ly/Reflection-Displacement Tip: Use a low setting for Soften Displacement Layer to simulate water ripples. Higher settings create larger ripples |
Simon Walker | May 28 2021 | 00:20 | 236 | |
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20 Second Quicktip - Removing elements from shots using planar tracking in VFX Suite
Use King Pin Tracker from VFX Suite, to quickly remove elements from a scene. Clone a frame from a video, set up the To Pins to track a plane, and then copy them to the From Pins. When you track the shot, the cloned element will exactly match the camera movement. |
Simon Walker | May 28 2021 | 00:20 | 210 |