Thanks for the reply, Pawel Dudko,
Yes, DaVinci is a great tool. I hope you enjoy it.
The darker representation is expected and can be changed to follow the eye’s needs.
When linear workflow came more into the day by day production, I explained it as simple as – gamma is for people—linear for machines. While saying that, I drew a line and above were the people, with the camera, monitors and projectors. Under the line was any device that can manipulate data.
Since I write in a forum, please allow me to expand for a moment.
The key here, especially with jpg, that gamma is burned in. Not to mention that sRGB is the smallest gamut, it is also 8 bit per channel only. With the gamma curve in mind and the little color space, and change in the image will lead to a loss, even if the compression is set to loss-less. JEPG is a delivery format, not a production format, same goes for any 8bit.ch. Since the early ‘90s, ten bit per channel was the minimum in production. Today it should always be 16bit/channel integer at least and AdobeRGB or float (never ever Radiance HDR!) just linear and float. ACES, as shown is built around float and the suggested standard from the ACS (American Cinematography Society)
Here is a short screen capture, how to leave the data intact (float and linear) and have the gamma based information on the screen (considered a calibrated display)
https://www.amazon.com/clouddrive/share/olLIbylHZH9tyYN9A2OtO348RY40AXBeEOKqPOD6hK0
You might download this for a better viewing experience.
All the best