Latest Tutorials
Tutorial | Instructor | Date Updated | Runtime | Views | Relevance |
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CINEMA 4D and Final Cut Studio Workflow, Part 1
Creating Master Templates for Final Cut Pro This 5-part tutorial explains the workflow for creating 3D Master Templates for Final Cut Pro: starting in CINEMA 4D, setting up for rendering, compositing in Motion, creating a template, and using it in Final Cut Pro. In Part 1 we set up the Cinema4D project for creating the Motion project file and related assets. |
Mark Spencer | Jan 20 2010 | 13:26 | 2215 | |
CINEMA 4D and Final Cut Studio Workflow, Part 5
Creating Master Templates for Final Cut Pro This 5-part tutorial explains the workflow for creating 3D Master Templates for Final Cut Pro: starting in CINEMA 4D, setting up for rendering, compositing in Motion, creating a template, and using it in Final Cut Pro. In Part 5 we turn our Motion project into a template that we then use in Final Cut Pro. |
Mark Spencer | Jan 13 2010 | 04:45 | 905 | |
CINEMA 4D and Final Cut Studio Workflow, Part 4
Lights, Shadows, & Reflections This 5-part tutorial explains the workflow for creating 3D Master Templates for Final Cut Pro: starting in CINEMA 4D, setting up for rendering, compositing in Motion, creating a template, and using it in Final Cut Pro. In Part 4 we work with lights, shadows, and reflections in Motion to make them match the C4D scene. |
Mark Spencer | Jan 13 2010 | 13:08 | 1070 | |
CINEMA 4D and Final Cut Studio Workflow, Part 3
Multipass Renders from C4D for Motion This 5-part tutorial explains the workflow for creating 3D Master Templates for Final Cut Pro: starting in CINEMA 4D, setting up for rendering, compositing in Motion, creating a template, and using it in Final Cut Pro. In Part 3 we set up the Cinema 4D project for multipass renders. |
Mark Spencer | Jan 13 2010 | 14:58 | 1115 | |
CINEMA 4D and Final Cut Studio Workflow, Part 2
Setting up the Apple Motion Project This 5-part tutorial explains the workflow for creating 3D Master Templates for Final Cut Pro: starting in CINEMA 4D, setting up for rendering, compositing in Motion, creating a template, and using it in Final Cut Pro. In Part 2 we adjust the Motion project that we had exported from C4D and add video and text. |
Mark Spencer | Jan 13 2010 | 11:53 | 985 | |
Modeling a Spoon
Modeling a Spoon In this video you will apply the same techniques that you utilized while modeling the fork to create a simple spoon. |
Patrick Goski | Jan 04 2010 | 13:06 | 4873 | |
CINEMA 4D + After Effects Integration - Refining Shadows
Refining Shadow Density and Sharpness Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 05:50 | 1954 | |
CINEMA 4D + After Effects Integration - Catching Shadows
Catching the Shadows Inside After Effects Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 08:08 | 1659 | |
CINEMA 4D + After Effects Integration - Locating Catchers
Locating the Shadow Catchers in CINEMA 4D Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 07:22 | 1302 | |
CINEMA 4D + After Effects Integration-Wrap Up
Wrap Up and Credits Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 00:56 | 1110 | |
CINEMA 4D + After Effects Integration - Shadow Problems
The Problem with Shadows Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 02:25 | 1647 | |
CINEMA 4D + After Effects Integration - Remixing Lights
Remixing Lights Inside After Effects Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 05:05 | 1271 | |
CINEMA 4D + After Effects Integration - Separating lights
Separating the lights in CINEMA 4D Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 03:04 | 1553 | |
CINEMA 4D + After Effects Integration - Blending Passes
Blending the Passes Inside After Effects Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 07:01 | 2594 | |
CINEMA 4D + After Effects Integration - Multi-Pass
Multi-Pass Rendering in CINEMA 4D Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 30 2009 | 03:51 | 2354 | |
CINEMA 4D + After Effects Integration - Overview
Overview Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. CINEMA 4D + After Effects Integration: 18 movies + Exercise Files: Introduction 1. Out of CINEMA 4D 2. Into After Effects 3. Multi-Pass Renders 4. Remixing Lights 5. Shadow Catchers Conclusion |
Chris Meyer | Dec 23 2009 | 03:19 | 7736 | |
CINEMA 4D + After Effects Integration-Rendering
Rendering the Final Result Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 23 2009 | 04:06 | 1691 | |
CINEMA 4D + After Effects Integration-Refining
Refining the Composition Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 23 2009 | 06:20 | 1429 | |
CINEMA 4D + After Effects Integration-Adding Layers
Adding 3D Layers inside of After Effects Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 23 2009 | 05:37 | 1763 | |
CINEMA 4D + After Effects Integration-Preparation
Preparing the After Effects Project Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 23 2009 | 07:02 | 2004 | |
CINEMA 4D + After Effects Integration-Rendering with 3D Data
Saving 3D Data and Rendering the Scene Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 23 2009 | 06:01 | 2002 | |
CINEMA 4D + After Effects Integration-Object Buffers
Creating Object Buffer Mattes Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 23 2009 | 02:58 | 2948 | |
CINEMA 4D + After Effects Integration-Locating Objects
Using Solids as Locators for your Objects Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. |
Chris Meyer | Dec 23 2009 | 05:58 | 1899 | |
CINEMA 4D + After Effects Integration-Installation
Installing the After Effects Plugin Learn how to move 3D worlds from Maxon CINEMA 4D into Adobe After Effects and add additional 3D elements that blend together perfectly. Chris Meyer - a long-time user of both programs - shows how to transfer 3D cameras, lights, and position data from C4D to AE, create track mattes to composite new elements into the middle of a scene, and take advantage of multi-pass rendering to quickly remix and even recolor lights, shadows, reflections, and more. Paced comfortably for those new to this process, Chris also reveals numerous advanced tricks and techniques such as the use of blending modes and how to cast shadows from new 3D layers in After Effects onto already-rendered 3D elements from CINEMA 4D. Comes with CINEMA 4D and After Effects project files, which can be found in the installation movie - number 2 in the series. NOTE 6/10/10: I recently discovered a small graphical glitch in the project files I included. No one has mentioned it to me yet, but I see it. So new project files have been uploaded. |
Chris Meyer | Dec 22 2009 | 01:43 | 5066 | |
Modeling a Fork, Part 2
Modeling a Fork - Part 2 Continuing the modeling process for the fork you will learn how to use an FFD to add the bend in the fork. |
Patrick Goski | Dec 09 2009 | 11:22 | 5085 |