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Tutorial	Instructor	Date Updated	Runtime	Views
How to model knurled surfaces in Cinema 4D In this Quick Tip, Jonas Pilz (@jonaspilz3d) shows how to model knurled surfaces in Cinema 4D by using selections and the commands Poke Polygon and Melt. You will also learn that you can create this diagonal type of topology procedurally using the node capsules from the Asset Browser. Download the procedural knob here: https://bit.ly/C4DQuickTip48 Free assets from the Cinema 4D Asset Browser used in this Quick Tip: Guitar.c4d Select Store Selection Transfer Selection Poke Polygons Melt Invert Selection Shrink Selection Recorded in Cinema 4D S26.1.	Jonas Pilz	Aug 11 2022	02:56	1068
Demystifying Post-Production: Plan! Shoot! Edit! Grade! VFX! Part 2 Join the Maxon Training Team as we break down an entire production, covering planning, camera prep, shooting, grading, and workflows for adding VFX. We’ll be featuring short films by director Anthony Bari Jr, discussing the camera shoot, jumping into both technical and non-technical aspects, and sharing creative choices all through the projects. We’ll be showing workflows and techniques for Adobe Premiere Pro, Blackmagic DaVinci Resolve, After Effects, Red Giant and Cinema 4D, whilst also sharing some of the challenges the crew had on set, and the creative solutions to overcome them. Week 2: Shoot We’ll cover the technical side of the shoot, looking at camera settings, comparing technical features of different brands, and discussing the use of metadata, slates, and chip charts to organize and calibrate your footage in post. We will share ideas to capture the essence of your environment, including recording a wild track, and shooting surrounding textures for b-roll and interstitials. Download Project Files: https://www.dropbox.com/sh/kb9d61axjuvxxhs/AADUP8LgNWwgIT9xnpCie_Pxa/08%20Plan!%20Shoot!%20Edit!%20Grade!%20VFX!?dl=0&subfolder_nav_tracking=1	Maxon Training Team	Aug 08 2022	66:02	497
How to add a bevel effect to objects at render time in Cinema 4D In this Quick Tip, Jonas Pilz (@jonaspilz3d) shows how to add a bevel effect to objects at render time using Redshift’s Round Corners node in Cinema 4D. You will also learn how to restrict the effect to same objects only and that it’s important to keep the radius low to keep the illusion of a real bevel. Free assets from the Cinema 4D Asset Browser used in this Quick Tip: None, but you should definitely check out these great assets! Recorded in Cinema 4D S26.1.	Jonas Pilz	Aug 04 2022	03:14	746
Max On Color \| Prepping & Grading A Multiple Camera Edit Joining us in this episode is Anthony Bari Jr., a filmmaker, finishing editor and post-production consultant based in Los Angeles. Tony and Max will look into the organization and grading approach for documentary piece shot with multiple cameras. Together they will share the approach for prepping the editorial timeline for grading, organizing groups and creating node tree structure for the grade. Download the project files (including the node structure): https://www.dropbox.com/sh/z4f5pv98vtdy2b8/AABzryZi2lpLCDNp6UYXe_gTa?dl=0	Maxon Training Team	Aug 04 2022	77:05	504
Demystifying Post Production: Plan! Shoot! Edit! Grade! VFX! (1/5) Join the Maxon Training Team as we break down an entire production, covering planning, camera prep, shooting, grading, and workflows for adding VFX. We’ll be featuring short films by director Anthony Bari Jr, discussing the camera shoot, jumping into both technical and non-technical aspects, and sharing creative choices all through the projects. We’ll be showing workflows and techniques for Adobe Premiere Pro, Blackmagic DaVinci Resolve, After Effects, Red Giant and Cinema 4D, whilst also sharing some of the challenges the crew had on set, and the creative solutions to overcome them. Week 1: Plan We will start from concept creation through gear preparation, shooting tests and the logistics that can cause a pivot from the original vision, and the importance of maintaining calm, clear thoughts while switching gears to keep others engaged in your vision. Joining us is producer Sammy Muñoz, as we discuss what makes up the elements of a successful shoot, including mapping out the production when plans change. Project File: Plan! Shoot! Edit! Grade! VFX!	Maxon Training Team	Aug 02 2022	64:55	939
VFX and Chill \| Season 2 FINALE - ASK US ANYTHING! Hashi and Michael answer your VFX questions - all LIVE!	Red Giant	Jul 29 2022	90:00	473
#AskTheTrainer \| Making of Grump in the Night A special edition of #AskTheTrainer where we chat with Director Kris Theorin from Something’s Awry about the making of their excellent 3D animated short Grump in the Night, including techniques for ZBrush, Cinema 4D, Redshift and After Effects, including techniques for integrating mocap into the animation. Watch the film here: https://somethingsawry.com/project/grump-in-the-night/	Maxon Training Team	Jul 28 2022	90:06	699
How to speed up remeshing on volume meshes in Cinema 4D In this Quick Tip, Jonas Pilz (@jonaspilz3d) shows how to speed up remeshing on volume meshes in Cinema 4D to make adjustments more interactive – simply by procedurally decreasing the polygon count in the Volume Mesher. Free assets from the Cinema 4D Asset Browser used in this Quick Tip: Bamboo - Bright - 50x50 Recorded in Cinema 4D S26.1.	Jonas Pilz	Jul 28 2022	02:08	690
Demystifying Post Production Wonderful World of Particles, 4 of 4 Join the Maxon Training Team every Monday in July as we explore a wide variety of tools for creating particles in post-production, featuring Cinema 4D, Redshift, X-Particles, After Effects, Particular, Houdini, and Unreal Engine. We’ll cover a brief history of particles, explore workflows for different situations, show unconventional creative treatments, and help you transfer your particle knowledge across multiple tools. Week Four In the final week, Chad will introduce us to the world of Houdini, as well as how to create basic particle simulations there. We will learn about shelf tools (which are similar to presets) and how to modify them, as well as infusing points with velocity and other particle attributes. We will then take a very brief look at lighting and rendering using Redshift in Houdini. And we’ll wrap up by hopping over into Unreal and taking a quick look at creating particles natively there using its powerful Niagara system. Project Files: Wonderful World of Particles	Maxon Training Team	Jul 26 2022	78:07	752
VFX and Chill \| Season 2 FINALE - Part 2 Part 2 of Hashi and Michael answer your VFX questions - all LIVE!	Red Giant	Jul 22 2022	35:12	471
VFX and Chill \| ___ vs. ALIENS This week, the crew were inspired by #Nope to pit aliens against…things. Well, who knows? They’re taking your suggestions.	Red Giant	Jul 22 2022	90:00	655
Max On Color \| Exploring Saturation In this episode, Max and Diego explore some various available methods to tweak the saturation to spice up your image. Oftentimes, simple basic adjustment like cleverly adding saturation is what you need to add that “Oomph” to your grade. So, join us in this episode of Max On Color to learn more about various different methods to add saturation to your image.	Maxon Training Team	Jul 21 2022	86:35	526
How to reroute wires in the Node Editor in Cinema 4D In this Quick Tip, Jonas Pilz (@jonaspilz3d) shows how to reroute wires in Cinema 4D’s Node Editor to clean up the node graph. You will learn how to create rerouting knots, how to connect and disconnect wires and even how you can use them for branching. Free assets from the Cinema 4D Asset Browser used in this Quick Tip: None, but you should definitely check them out! Recorded in Cinema 4D S26.1.	Jonas Pilz	Jul 21 2022	01:37	548
Demystifying Post Production: Wonderful World of Particles - Part 3 of 4 Join the Maxon Training Team every Monday in July as we explore a wide variety of tools for creating particles in post-production, featuring Cinema 4D, Redshift, X-Particles, After Effects, Particular, Houdini, and Unreal Engine. We’ll cover a brief history of particles, explore workflows for different situations, show unconventional creative treatments, and help you transfer your particle knowledge across multiple tools. Week 3 This week will be a melding of past and future particles in Adobe After Effects as we stroll down memory lane. Chad will take us through the particle systems that are native to After Effects, and the effects he used to create using tools from pre-Particular times. Understanding the functionality of older solutions such as Foam, Shatter, and the Cycore particle effects can help us get more out of newer tools. He will then bring us into the modern era with some easy and powerful tricks using Trapcode Particular. Project Files: Wonderful World of Particles	Maxon Training Team	Jul 19 2022	73:34	606
VFX and Chill \| Once More With Raptors! Hashi and Seth recreate VFX from Movies and TV - all LIVE!	Red Giant	Jul 15 2022	90:00	418
#AskTheTrainer \| UVs Join us for another exciting #AskTheTrainer session on Thursday 14th July 2022 at 8am Pacific, as Cinema 4D Master Trainers Noseman and Jonas Pilz are going to talk about UV workflows in Cinema 4D. Make sure to prepare some questions!	Maxon Training Team	Jul 14 2022	79:42	907
How to smooth topology while keeping surface details in Cinema 4D In this Quick Tip, Jonas Pilz (@jonaspilz3d) shows how to smooth topology while keeping surface details using the Brush and Magnet tools in Cinema 4D. You will learn about the difference between Smooth and Relax mode. Free assets from the Cinema 4D Asset Browser used in this Quick Tip: None, but you should definitely check them out! Recorded in Cinema 4D S26.1.	Jonas Pilz	Jul 14 2022	01:36	788
Hands-on with Maxon: Cinema 4D Level-up - Working with Redshift Welcome to a brand new Hands-on with Maxon Workshop, designed to boost Cinema 4D Artists to the next level of their 3D journey. This series is aimed at designers with an initial understanding of Cinema 4D and over six weeks will dive deeper into the essentials of working with; Modeling, Simulation, Motion, Redshift, and much more. Throughout these 2-hour sessions Elly and Matt will guide you on your 3D journey where students are invited to follow along with project-based lessons across a wide range of Cinema 4D Tools. Get unlimited access to scene files, assets and session recordings, but not only that, all registrants will benefit from an extended Trial of Maxon One for the duration of the course. Part 6 - Working with Redshift - Lighting (Dome Light, HDRI, Area Lights) - RS Camera - Node Materials - C4D Node Editor vs RS Shader Graph - Steampunk Material - Render Settings Overview Project Files Download: https://bit.ly/HOWMaxon_LevelUp	Maxon Training Team	Jul 14 2022	90:00	1098
Demystifying Post Production: Wonderful World of Particles - Part 2 of 4 Join the Maxon Training Team every Monday in July as we explore a wide variety of tools for creating particles in post-production, featuring Cinema 4D, Redshift, X-Particles, After Effects, Particular, Houdini, and Unreal Engine. We’ll cover a brief history of particles, explore workflows for different situations, show unconventional creative treatments, and help you transfer your particle knowledge across multiple tools. Week 2 Cinema 4D Master Trainer Lionel Vicidomini shows you how to get up-and-running with INSYDIUM X-Particles, including a general overview, getting set up, practical examples, and combinations with Redshift to create stunning visuals. We’re also joined by X-Particles legend Bob Walmsley, answering questions and adding essential insights. Project Files: Wonderful World of Particles	Maxon Training Team	Jul 12 2022	70:33	556
Demystifying Post Production: Wonderful World of Particles - Part 1 of 4 Join the Maxon Training Team every Monday in July as we explore a wide variety of tools for creating particles in post-production, featuring Cinema 4D, Redshift, X-Particles, After Effects, Particular, Houdini, and Unreal Engine. We’ll cover a brief history of particles, explore workflows for different situations, show unconventional creative treatments, and help you transfer your particle knowledge across multiple tools. Week 1 Master Trainer and particle expert Lionel Vicidomini kicks off the series by looking at the variety of methods you can use natively in Cinema 4D to create and manipulate particles, including standard particles, forcefield, particles on a spline, and clever ways to use the MoGraph tools. You’ll see that Cinema 4D is a very capable tool for creating amazing scenes of dancing particles! (this is the version with better fps on the recording) Project Files: Wonderful World of Particles	Maxon Training Team	Jul 11 2022	69:15	737
Demystifying Post Production: Voyages Across Applications (Part 4) Join Maxon Trainers Chad Perkins, Elly Wade and Lionel Vicidomini every Monday in April, as they Travel The World, exploring how to move content and data in and out of multiple Maxon tools and applications. Week 4 – Cineware in After Effects In the final and very special episode of this series, we’ll adventure together as this session will take place LIVE from NAB 2022 in Las Vegas! Chad will look at a plethora of ways to bring everything together using the wide collection of Red Giant tools as a Premiere Pro editor. We’ll look at adapting presets, using MOGRTs with Trapcode tools to control particle systems from right from within in Premiere Pro, and explore a host of powerful Red Giant tools for motion graphics and visual effects that are native to Premiere Pro. Vacation: all we ever wanted!	Maxon Training Team	Jul 11 2022	41:04	446
VFX and Chill \| Particles and Redshift with ELLY WADE Special guest Elly Wade from @Maxon Training Team joins Hashi and Seth to talk about particles and effects inspired by the Halo franchise. Elly, who is a real live human and not a digital avatar, brings a wealth of knowledge and experience in Cinema 4D!	Red Giant	Jul 08 2022	90:00	595
Max On Color \| Color Bootcamp - Demystifying ACES with Cullen Kelly Part 2 Max On Color \| Color Bootcamp - Demystifying ACES with Cullen Kelly Joining us in this episode of Max On Color, colorist and image scientist Cullen Kelly shares his experience of the ACES Color Management framework. This is your chance to learn and interact with Cullen directly, find out more about ACES, and how you can incorporate it in your next color grading project. Picking up from where he had left off on the previous episode, Cullen Kelly will be discussing about some very interesting topics such as: • The challenges of the AP1 primary set • The ACES 1.3 gamut compression algorithm • Using LUTs, LMTs, and implementing looks within ACES • The drawbacks of tonemapping in RGB • What’s on the horizon for ACES 2.0 Cullen Kelly is a Los Angeles-based senior colorist and image scientist with credits including the 2021 Oscar-nominated short film Feeling Through, series for Netflix and HBO, and brand work for Microsoft, Kellogg’s, and Sephora. A thought leader in motion imaging, he shares his knowledge through his YouTube channel, writing and speaking engagements, and private consultation. He’s also the creator of Colloid, a set of custom color grading tools used by many of the world’s top colorists and facilities. With a background in image science as well as the arts, he’s passionate about the intersection of the creative and technical, and its role in great visual storytelling. https://www.cullenkellycolor.com/	Maxon Training Team	Jul 07 2022	90:00	570
VFX and Chill \| Return of the VFX TIMER!!! It’s VFX on a time limit! Seth is out this week, so Hashi does a suggestion box episode with a timer. Your visual effects suggestions, DONE - in 20 minutes!	Red Giant	Jul 07 2022	90:00	1128
How to attach simulated cloth to other objects in Cinema 4D In this Quick Tip, Jonas Pilz (@jonaspilz3d) shows how to attach simulated cloth to other objects in Cinema 4D using the Cloth Belt tag. This way you can create ribbons and flags on a stick, dress a character with a skirt, and much more. Free assets from the Cinema 4D Asset Browser used in this Quick Tip: Bamboo - Bright - 50x50 Recorded in Cinema 4D S26.	Jonas Pilz	Jul 07 2022	03:00	1190

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